吉成曜
You Yoshinari
Wiki (jp) | Wiki (en) | Sakugabooru
Animator, director and storyboard artist currently working at Trigger. Yoshinari entered the anime industry through the influence of his older brother, Kou Yoshinari. Several of his early works were uncredited second key animation and in-betweens for his brother during high school. After leaving professional school, he applied to Gainax and Madhouse. Not receiving a response from Gainax, he joined Madhouse. Due to a misunderstanding, Gainax failed to process his application until three months later. Not wanting to explain, Yoshinari told Madhouse; "being an animator is too hard for me," and switched to Gainax.
At Gainax, Yoshinari had joined just after the closure of Nadia: The Secret of Blue Water. With nothing to do, he was immediately put onto visual development for the film Aoki Uru, although the film’s production was later broken off due to the studio’s financial state. Undoubtedly his breakout as an animator was just a few years later when he served as one of the lead animators in Neon Genesis Evangelion. Yoshinari worked at Gainax until leaving for Trigger in 2011, a studio founded by fellow ex-Gainax members, Hiroyuki Imaishi and Masahiko Ootsuka. At Trigger he debuted as a director on Little Witch Academia.
Yoshinari is recognized by the way he represents volume and perspective using spheres, especially for smoke and explosions, as well as his character action in general. His characters often borrow traits from western animation, such as rectangular heads, low contrast shading, big eyes and angular lineart. He uses expertly timed smears, dramatic camerawork, and complicated background animation to convey dynamism. His movement is springy and tense, cleanly situated in the dominant cartoony style of ‘00s Gainax. He remarks Nijitte Monogatari as one of his most important influences, with his artistic style particularly visible in his design work for Tengen Toppa Gurren Lagann and Little Witch Academia.
Also a big fan of Osamu Tezuka’s, having done multiple short animations based on his manga characters.
Married to producer Naoko Tsutsumi.
Animator, director and storyboard artist currently working at Trigger. Yoshinari entered the anime industry through the influence of his older brother, Kou Yoshinari. Several of his early works were uncredited second key animation and in-betweens for his brother during high school. After leaving professional school, he applied to Gainax and Madhouse. Not receiving a response from Gainax, he joined Madhouse. Due to a misunderstanding, Gainax failed to process his application until three months later. Not wanting to explain, Yoshinari told Madhouse; "being an animator is too hard for me," and switched to Gainax.
At Gainax, Yoshinari had joined just after the closure of Nadia: The Secret of Blue Water. With nothing to do, he was immediately put onto visual development for the film Aoki Uru, although the film’s production was later broken off due to the studio’s financial state. Undoubtedly his breakout as an animator was just a few years later when he served as one of the lead animators in Neon Genesis Evangelion. Yoshinari worked at Gainax until leaving for Trigger in 2011, a studio founded by fellow ex-Gainax members, Hiroyuki Imaishi and Masahiko Ootsuka. At Trigger he debuted as a director on Little Witch Academia.
Yoshinari is recognized by the way he represents volume and perspective using spheres, especially for smoke and explosions, as well as his character action in general. His characters often borrow traits from western animation, such as rectangular heads, low contrast shading, big eyes and angular lineart. He uses expertly timed smears, dramatic camerawork, and complicated background animation to convey dynamism. His movement is springy and tense, cleanly situated in the dominant cartoony style of ‘00s Gainax. He remarks Nijitte Monogatari as one of his most important influences, with his artistic style particularly visible in his design work for Tengen Toppa Gurren Lagann and Little Witch Academia.
Also a big fan of Osamu Tezuka’s, having done multiple short animations based on his manga characters.
Married to producer Naoko Tsutsumi.
アニメスタッフ
| 魔法先生 ネギま! | 原画 (OP) |
| この醜くも美しい世界 | キャラクターデザイン (Monster design) |
| ぷちぷり*ユーシィ | 原画 (eps 7, 23) |
| ポポロクロイス | 原画 (6話) |
| ねこぢる草 | 原画 |
| まほろまてぃっく 夏のTVスペシャル | 原画 |
| 東京BABYLON | 動画 (1話) |
| MAZE☆爆熱時空 | キャラクターデザイン (Monster design) |
| MAZE☆爆熱時空 | 原画 (2話) |
| バトルアスリーテス大運動会 | 原画 (21話) |
| サイボーグ009 THE CYBORG SOLDIER | 原画 (eps 31, 46) |
| リトルウィッチアカデミア | Original Creator |
| リトルウィッチアカデミア | Director |
| リトルウィッチアカデミア | Character Design |
| リトルウィッチアカデミア | Art Design |
| リトルウィッチアカデミア | Animation Director |
| リトルウィッチアカデミア | Key Animation |
| 超機動伝説ダイナギガ | 原画 (OP) |
| 宇宙海賊ミトの大冒険 | 原画 (10話) |
| IGPX Immortal Grand Prix | 原画 (13話) |
| ヤッターマン | 原画 (54話) |
| アニメ店長 | 原画 |
| グレンラガン パラレルワークス | 監督 (8話) |
| グレンラガン パラレルワークス | 原画 (8話) |
| グレンラガン パラレルワークス | 作画監督 (8話) |
| グレンラガン パラレルワークス | 絵コンテ (8話) |
| グレンラガン パラレルワークス | 企画 (8話) |
| 天元突破グレンラガン 紅蓮篇 | 原画 |
| ユニバース | 原画 |
| 天元突破グレンラガン 螺巌篇 | 原画 |
| 高校武闘伝 クローズ | 原画 (1話) |
| 天元突破グレンラガン 紅蓮篇 | Mechanical Design |
| 天元突破グレンラガン 紅蓮篇 | Key Animation |
| グレンラガン パラレルワークス 2 | 原画 (7話) |
| パンティ&ストッキングwithガーターベルト | コンセプトアート |
| パンティ&ストッキングwithガーターベルト | 美術設定 |
| 暴走戦國史 | 原画 (1話) |
| BNA ビー・エヌ・エー | Director |
| プロメア | デザイン |
| リトルウィッチアカデミア | 監督 |
| リトルウィッチアカデミア | 原画 |
| リトルウィッチアカデミア | 原作 |
| リトルウィッチアカデミア | 美術設定 |
| リトルウィッチアカデミア | 作画監督 |
| リトルウィッチアカデミア 魔法仕掛けのパレード | 監督 |
| キルラキル 特別編 | 原画 |
| リトルウィッチアカデミア (TV) | 原案キャラクターデザイン |
| リトルウィッチアカデミア (TV) | 監督 |
| リトルウィッチアカデミア (TV) | 原作 |
| ももへの手紙 | Key Animation |
| プロメア SIDE ガロ | デザイン |
| BNA ビー・エヌ・エー | 監督 |
| 劇場版 ポケットモンスター ベストウイッシュ ビクティニと白き英雄 レシラム | Key Animation |
| 吉成曜画集 ラクガキ編[手塚治虫キャラクター] | 動画 |
| 吉成曜画集 ラクガキ編[手塚治虫キャラクター] | 監督 |
| 吉成曜画集 ラクガキ編[手塚治虫キャラクター] | 原画 |
| 吉成曜画集 ラクガキ編[手塚治虫キャラクター] | 絵コンテ |
| BNA ビー・エヌ・エー | Storyboard (OP, eps 1, 12) |
| BNA ビー・エヌ・エー | Key Animation (ep 12) |
| ショコラカタブラ | 原画 |
| ショコラカタブラ | 監督 |
| ショコラカタブラ | 作画監督 |
| リトルウィッチアカデミア 魔法仕掛けのパレード | 原作 |
| 忘却の旋律 | メカニックデザイン |
| 天元突破グレンラガン | メカニックデザイン |
| 天元突破グレンラガン 紅蓮篇 | メカニックデザイン |
| 天元突破グレンラガン 螺巌篇 | メカニックデザイン |
| リトルウィッチアカデミア | キャラクターデザイン |
| リトルウィッチアカデミア 魔法仕掛けのパレード | キャラクターデザイン |
| サイバーパンク エッジランナーズ | キャラクターデザイン |
| ショコラカタブラ | キャラクターデザイン |
| 東京BABYLON | In-Between Animation (ep 1) |
| SSSS.DYNAZENON | 2nd Key Animation (ep 12) |
| キルラキル 特別編 | Key Animation |
| 傷物語〈Ⅰ鉄血篇〉 | Key Animation |
| ONE PIECE THE MOVIE オマツリ男爵と秘密の島 | Key Animation |
| 高校武闘伝 クローズ | Key Animation (ep 1) |
| SSSS.GRIDMAN | Gattai DN Key Animation (ep 8) |
| プロメア | Storyboard |
| プロメア | Key Animation |
| プロメア | Design |
| 人狼 JIN-ROH | Key Animation |
| ねこぢる草 | Key Animation |
| まほろまてぃっく 夏のTVスペシャル | Key Animation |
| New PANTY & STOCKING with GARTERBELT | Storyboard (ep 7b) |
| New PANTY & STOCKING with GARTERBELT | Design Works (eps 2, 3b, 5, 6, 7, 9c, 10a, 11b) |
| New PANTY & STOCKING with GARTERBELT | Animation Director (eps 7b, 10b) |
| New PANTY & STOCKING with GARTERBELT | Key Animation (eps 7b, 13b) |
| New PANTY & STOCKING with GARTERBELT | Special Specialist |
| New PANTY & STOCKING with GARTERBELT | Design Assistance (ep 13b) |
| 餓狼伝説 -THE MOTION PICTURE- | Key Animation |
| グリッドマン ユニバース | TV Original Key Animation |
| リトルウィッチアカデミア 魔法仕掛けのパレード | Original Creator |
| リトルウィッチアカデミア 魔法仕掛けのパレード | Director |
| リトルウィッチアカデミア 魔法仕掛けのパレード | Character Design |
| 超人学園ゴウカイザー THE VOLTAGE FIGHTERS | Key Animation (eps 1, 3) |
| 天元突破グレンラガン 螺巌篇 | Key Animation |
| 天元突破グレンラガン 螺巌篇 | Mechanical Design |
| まりあ†ほりっく | Key Animation (OP) |
| ヒーローマン | Key Animation (ep 16) |
| アニメ店長 | Key Animation |
| IGPX Immortal Grand Prix | Key Animation (ep 13) |
| 鉄人28号 (2004) | Key Animation (ep 3) |
| 超機動伝説ダイナギガ | Key Animation (OP) |
| アリスとテレスのまぼろし工場 | Key Animation |
| リトルウィッチアカデミア (TV) | Key Animation (ep 25) |
| リトルウィッチアカデミア (TV) | Original Creator |
| リトルウィッチアカデミア (TV) | Director |
| リトルウィッチアカデミア (TV) | Storyboard (OP2, ED1, ED2, eps 1, 2, 25) |
| リトルウィッチアカデミア (TV) | Original Character Design |
| サイバーパンク エッジランナーズ | Character Design |
| サイバーパンク エッジランナーズ | 2nd Key Animation (ep 10) |
| サイバーパンク エッジランナーズ | Storyboard (ep 10) |
| サイバーパンク エッジランナーズ | Animation Director (ep 10) |
| サイバーパンク エッジランナーズ | Chief Animation Director (eps 1-10) |
| ダンジョン飯 | Key Animation (OP2) |
| 寄生獣 セイの格率 | Key Animation (ep 1) |
| プロメア SIDE ガロ | Design |
| 傷物語 -こよみヴァンプ- | Key Animation |
| SHORT PEACE | Animation (ep 3) |
| ヤッターマン | Key Animation (ep 54) |
| 新・破裏拳ポリマー | Key Animation (ep 1) |
| NINKU -忍空- | Key Animation (eps 14, 22) |
| デッド リーブス | Key Animation |
| MAZE☆爆熱時空 | Key Animation (ep 2) |
| MAZE☆爆熱時空 | Character Design (Monster design) |
| グリーンレジェンド乱 | In-Between Animation (eps 2, 3) |
| メタルファイター・MIKU | Key Animation (ep 13) |
| バトルアスリーテス大運動会 | Key Animation (ep 21) |
| ショコラカタブラ | Character Design |
| ショコラカタブラ | Animation Director |
| ショコラカタブラ | Key Animation |
| ショコラカタブラ | Director |
| ぷちぷり*ユーシィ | Key Animation (eps 7, 23) |
| 傷物語〈Ⅲ冷血篇〉 | Key Animation |
| サイボーグ009 THE CYBORG SOLDIER | Key Animation (eps 31, 46) |
| TRAVA FIST PLANET | Key Animation (ep 2) |
| グレンラガン パラレルワークス | Storyboard (ep 8) |
| グレンラガン パラレルワークス | Key Animation (ep 8) |
| グレンラガン パラレルワークス | Animation Director (ep 8) |
| グレンラガン パラレルワークス | Director (ep 8) |
| グレンラガン パラレルワークス | Planning (ep 8) |
| グレンラガン パラレルワークス 2 | Key Animation (ep 7) |
| 機動戦士Vガンダム | Key Animation (eps 35, 39, 44, 51) |
| この醜くも美しい世界 | Key Animation (eps 7, 8, 12) |
| この醜くも美しい世界 | Character Design (Monster design) |
| Re:キューティーハニー | Key Animation (ep 1) |
| 忘却の旋律 | Mechanical Design |
マンガスタッフ
| リトルウィッチアカデミア | Original Creator |
| リトルウィッチアカデミア 月夜の王冠 | 原作 |
| リトルウィッチアカデミア | 原作 |
| リトルウィッチアカデミア | 原作 |
| リトルウィッチアカデミア | Original Creator |