久里洋二
Youji Kuri
Website | Twitter
Yōji Kuri was born in 1928 in Sabae, Fukui, Japan. He has been active in numerous fields including animation, manga, painting, illustration, sculpture, and fiction. He founded the animation studio Kuri Jikken Manga Kōbō (Kuri Experimental Animation Studio) in 1960 and began producing works. The same year, Kuri, Ryōhei Yanagihara, and Hiroshi Manabe formed Animation 3-nin no Kai (Three-Person Animation Circle) and organized Japan’s first experimental animation screening at Sōgetsu Art Center. The screening series was later rebranded as an “Animation Festival,” and became the country’s foundational festival of animation, screening works from both Japan and overseas.
He is known internationally for the very black comedy of his films, with the typically naïve style of his cartooning often belying the surreal, obscene and disturbing situations they depict (though he has worked in a variety of styles and mediums, including pixilation); this made them a favorite among the fervently counter-cultural audiences, which included such filmmakers as René Laloux, of the first few years of the Annecy International Animated Film Festival, and in a 1967 publication he was considered to be "the most significant" and "the only Japanese animator whose work is known in the West" (which is to disregard the Tōei Animation features and Astro Boy series that were first seen in the West around the same time that Kuri's first several films were and mentioned in passing in the same publication, though these were not known as works of an individual and characteristic filmmaker and often had their Japanese origin played down).
He is also known in Japan for his comics, a collection of which earned him the 1958 Bungeishunjū Manga Award. Though now retired from film making he continues to illustrate and to teach animation at Laputa Art Animation School. In 2012 he received a Lifetime Achievement Award at the World Festival of Animated Film - Animafest Zagreb.
Yōji Kuri was born in 1928 in Sabae, Fukui, Japan. He has been active in numerous fields including animation, manga, painting, illustration, sculpture, and fiction. He founded the animation studio Kuri Jikken Manga Kōbō (Kuri Experimental Animation Studio) in 1960 and began producing works. The same year, Kuri, Ryōhei Yanagihara, and Hiroshi Manabe formed Animation 3-nin no Kai (Three-Person Animation Circle) and organized Japan’s first experimental animation screening at Sōgetsu Art Center. The screening series was later rebranded as an “Animation Festival,” and became the country’s foundational festival of animation, screening works from both Japan and overseas.
He is known internationally for the very black comedy of his films, with the typically naïve style of his cartooning often belying the surreal, obscene and disturbing situations they depict (though he has worked in a variety of styles and mediums, including pixilation); this made them a favorite among the fervently counter-cultural audiences, which included such filmmakers as René Laloux, of the first few years of the Annecy International Animated Film Festival, and in a 1967 publication he was considered to be "the most significant" and "the only Japanese animator whose work is known in the West" (which is to disregard the Tōei Animation features and Astro Boy series that were first seen in the West around the same time that Kuri's first several films were and mentioned in passing in the same publication, though these were not known as works of an individual and characteristic filmmaker and often had their Japanese origin played down).
He is also known in Japan for his comics, a collection of which earned him the 1958 Bungeishunjū Manga Award. Though now retired from film making he continues to illustrate and to teach animation at Laputa Art Animation School. In 2012 he received a Lifetime Achievement Award at the World Festival of Animated Film - Animafest Zagreb.
アニメスタッフ
| 隣の野郎 | 監督 |
| ケメ子のLOVE | 監督 |
| 殺人狂時代 | 監督 |
| 切手の幻想 | 監督 |
| JAA meets 横浜 | Director |
| 花 | 監督 |
| 男と女と犬 | Director |
| JAA meets 横浜 | 監督 |
| 男と女と犬 | 監督 |
| 冬の日 | 作画監督 (1 Segment) |
| さむらい | 監督 |
| 冬の日 | 原画 |
| トーキョー・ループ | 監督 |
| 愛 | 監督 |
| アオス | 監督 |
| 人間動物園 | 監督 |
| ファッション | 監督 |
| 二匹のサンマ | 監督 |
| G線上の悲劇 | 監督 |
| 部屋 | 監督 |
| 寄生虫の一夜 | 監督 |
| 窓 | 監督 |
| 漫画 | 監督 |
| ポップ | 監督 |
| ザ・バスルーム | 監督 |
| ママとゴーゴー | アニメーション |
| 馬鹿馬鹿馬鹿な世界 | 監督 |
| あっちはこっち | 監督 |
| プンプンポルカ | 作画監督 |
| アマリリス | 監督 |
| はさみとぎ | 作画監督 |
| クラリネットこわしちゃった | 作画監督 |
| 五匹のこぶたとチャールストン | 監督 |
| 軌跡 | 監督 |
| 陽気にうたえば | 作画監督 |
| カッパのクィクォクァ | 作画監督 |
| 森の熊さん | 監督 |
| ゴキブリちゃん | 原作 |
| ちびっこカウボーイ | 作画監督 |
| 怪獣がやってくる | アニメーション |
| たのしいね | アニメーション |
| 洗濯ジャブ ジャブ | 作画監督 |
| 二匹のサンマ(カラー版) | 監督 |
| IMAGINATION of MARATHON RUNNERS | 監督 |
| われわれは宇宙人だ! | アニメーション |
| はさみとぎ(1974年版) | アニメーション |
| クラリネットこわしちゃった(1972年版) | アニメーション |
| 鬼のねがい | アニメーション |
| がちょうのおばさん | アニメーション |
| 熊ちゃんのピクニック | アニメーション |
| 赤鼻のトナカイ | アニメーション |
| たなをつくりましょう | アニメーション |
| きれいな帽子 | アニメーション |
| ピノキオの歌 | アニメーション |
| 気のいいあひる | アニメーション |
| 一、二、三、・・・ | アニメーション |
| デビークロケットの歌 | アニメーション |
| サンタはどこにいる? | アニメーション |
| キャンプ料理 | アニメーション |
| トンチあそび | アニメーション |
| お猿と鏡 | アニメーション |
| ひげのお医者さん | アニメーション |
| でか ちび のっぽ | アニメーション |
| 早口ことば | アニメーション |
| フリッパー | アニメーション |
| すてきな夢を | アニメーション |
| あわて床屋 | アニメーション |
| あそぼうよ | アニメーション |
| 山寺の和尚さん | アニメーション |
| ほぼ15秒アニメーション | 監督 |
| ゼロの発見 | アニメーション |
| ゼロの発見 | 監督 |
| アニメ あ・ら・かると | アニメーション |
| 人間動物園 | Director |
| ファッション | Director |
| 二匹のサンマ | Director |
| ポップ | Director |
| 隣の野郎 | Director |
| ケメ子のLOVE | Director |
| 殺人狂時代 | Director |
| 切手の幻想 | Director |
| アオス | Director |
| アニメ あ・ら・かると | Animation |
| 愛 | Director |
| IMAGINATION of MARATHON RUNNERS | Director |
| 寄生虫の一夜 | Director |
| 冬の日 | Key Animation |
| 冬の日 | Animation Director (1 Segment) |
| 漫画 | Director |
| キャンプ料理 | Animation |
| トーキョー・ループ | Director |
| あっちはこっち | Director |
| 五匹のこぶたとチャールストン | Director |
| 陽気にうたえば | Animation Director |
| 軌跡 | Director |
| カッパのクィクォクァ | Animation Director |
| 森の熊さん | Director |
| ゴキブリちゃん | Original Creator |
| 気のいいあひる | Animation |