幾原邦彦
Kunihiko Ikuhara
Twitter | Website
Kunihiko Ikuhara, nicknamed Ikuni, was born December 21, 1964 in Osaka Prefecture, Japan. Ikuhara is an idiosyncratic, postmodern anime director that had a significant impact on the development of anime styles from the 90s and onward. His surrealist, psychosexual works are why fans often compare him to David Lynch. Although he is a beloved creative mind, Ikuhara is very hard to deal with and is an overwhelming perfectionist, leading to a small, but important catalog of work.
Style
Ikuhara is an incredibly unique artist, but draws a lot of influence from Osamu Dezaki, making interesting anime that focuses on maximal impact on minimal drawings. Key examples would be Onii-sama e... and Versailles no Bara. Their directing also show similarities in how they try to provoke feelings from the viewer. One particular recurring trait would be their Dutch angles, which is used to depict unrest and disorientation.
Ikuhara's usual stylistic and narrative devices include pretense, deception, metaphors, bluffs, and repetition of gags. His iconography is consistent to the point people made humorous bingo's for his works. His enthusiasm and history with theater led to his most apparent stylistic trait, namely a stage play-like presentation with a mise-en-scène policy of showing only what is necessary, maintaining a tight control of his canvas at all times. Images themselves become a strong narrative tool. The themes of his work often tackle adolescence and LGBTQ-issues and turns them into cartoonish fables that gets to the heart of the issues.
Kunihiko Ikuhara, nicknamed Ikuni, was born December 21, 1964 in Osaka Prefecture, Japan. Ikuhara is an idiosyncratic, postmodern anime director that had a significant impact on the development of anime styles from the 90s and onward. His surrealist, psychosexual works are why fans often compare him to David Lynch. Although he is a beloved creative mind, Ikuhara is very hard to deal with and is an overwhelming perfectionist, leading to a small, but important catalog of work.
Style
Ikuhara is an incredibly unique artist, but draws a lot of influence from Osamu Dezaki, making interesting anime that focuses on maximal impact on minimal drawings. Key examples would be Onii-sama e... and Versailles no Bara. Their directing also show similarities in how they try to provoke feelings from the viewer. One particular recurring trait would be their Dutch angles, which is used to depict unrest and disorientation.
Ikuhara's usual stylistic and narrative devices include pretense, deception, metaphors, bluffs, and repetition of gags. His iconography is consistent to the point people made humorous bingo's for his works. His enthusiasm and history with theater led to his most apparent stylistic trait, namely a stage play-like presentation with a mise-en-scène policy of showing only what is necessary, maintaining a tight control of his canvas at all times. Images themselves become a strong narrative tool. The themes of his work often tackle adolescence and LGBTQ-issues and turns them into cartoonish fables that gets to the heart of the issues.
声優出演
| 美術教師 | 少女革命ウテナ アドゥレセンス黙示録 |
アニメスタッフ
| 少女革命ウテナ | 監督 |
| 少女革命ウテナ アドゥレセンス黙示録 | 監督 |
| 少女革命ウテナ | 原案 |
| 美少女戦士セーラームーン S | 演出 (eps 3, 14, 21, 28) |
| 少女革命ウテナ アドゥレセンス黙示録 | 原案 |
| きんぎょ注意報! | 演出 (eps 4, 13, 20b, 25, 30, 38, 43, 49, 54) |
| 美少女戦士セーラームーン R | 演出 (eps 5, 14, 22) |
| 美少女戦士セーラームーン R | 監督 (eps 14-43) |
| 美少女戦士セーラームーンR THE MOVIE | 監督 |
| 美少女戦士セーラームーン S | 監督 |
| 美少女戦士セーラームーン Super S | 演出 (eps 1, 10, 23, 32, 29) |
| 美少女戦士セーラームーン Super S | 絵コンテ (eps 1, 10, 23, 32, 39) |
| 美少女戦士セーラームーン Super S | 監督 |
| のだめカンタービレ | 絵コンテ |
| のだめカンタービレ | 演出 |
| 新メイプルタウン物語 パームタウン編 | 副監督 (ep. 2, 5, 7, 11, 13, 15) |
| 宇宙皇子 天上篇 | 副監督 (3話) |
| 青い花 | 絵コンテ (OP, eps 5, 6, 11) |
| 悪魔くん | 副監督 (eps 1, 5, 8, 11, 15, 18, 21, 25, 28, 31, 35, 38, 40, 42) |
| 美少女戦士セーラームーン S | Director |
| 美少女戦士セーラームーン S | Episode Director (eps 3, 14, 21, 28) |
| 少女革命ウテナ アドゥレセンス黙示録 | 絵コンテ |
| 輪るピングドラム | シリーズ構成 |
| 輪るピングドラム | 監督 |
| 輪るピングドラム | 音響監督 |
| NORN9 ノルン+ノネット | 絵コンテ (OP1) |
| ユリ熊嵐 | シリーズ構成 |
| ユリ熊嵐 | 監督 |
| ユリ熊嵐 | 原作 |
| さらざんまい | Sound Director |
| さらざんまい | Storyboard (OP, eps 1, 11) |
| さらざんまい | Series Composition |
| さらざんまい | Script (eps 1-11) |
| さらざんまい | Director |
| さらざんまい | シリーズ構成 |
| さらざんまい | 監督 |
| さらざんまい | 音響監督 |
| まじかる★タルるートくん (1991) | 副監督 |
| 輪るピングドラム | Storyboard (OP1, OP2, eps 1, 5, 11-17, 21-24) |
| 輪るピングドラム | Series Composition |
| 輪るピングドラム | Director |
| 輪るピングドラム | Script (eps 1-24) |
| 輪るピングドラム | Sound Director |
| 輪るピングドラム | Episode Director (OP1, OP2, ep 24) |
| 美少女戦士セーラームーンR THE MOVIE | Director |
| RE:cycle of the PENGUINDRUM [前編] 君の列車は生存戦略 | 監督 |
| RE:cycle of the PENGUINDRUM [前編] 君の列車は生存戦略 | 脚本 |
| RE:cycle of the PENGUINDRUM [前編] 君の列車は生存戦略 | 音響監督 |
| RE:cycle of the PENGUINDRUM [後編] 僕は君を愛してる | 監督 |
| RE:cycle of the PENGUINDRUM [後編] 僕は君を愛してる | 音響監督 |
| RE:cycle of the PENGUINDRUM [後編] 僕は君を愛してる | 脚本 |
| 美少女戦士セーラームーン | Storyboard (eps 6, 11, 15, 21, 26, 31, 36, 46) |
| 美少女戦士セーラームーン | Episode Director (eps 6, 11, 15, 21, 26, 31, 36, 46) |
| 少女革命ウテナ アドゥレセンス黙示録 | Original Plan |
| 少女革命ウテナ アドゥレセンス黙示録 | Storyboard |
| 少女革命ウテナ アドゥレセンス黙示録 | ADR Supervisor (English) |
| 少女革命ウテナ アドゥレセンス黙示録 | Director |
| 青い花 | Storyboard (OP, eps 5, 6, 11) |
| 青い花 | Episode Director (OP) |
| 美少女戦士セーラームーン S | Storyboard (eps 3, 14, 21, 28) |
| RE:cycle of the PENGUINDRUM [後編] 僕は君を愛してる | Script |
| RE:cycle of the PENGUINDRUM [後編] 僕は君を愛してる | Director |
| RE:cycle of the PENGUINDRUM [後編] 僕は君を愛してる | Sound Director |
| きんぎょ注意報! | Episode Director (eps 4, 13, 20b, 25, 30, 38, 43, 49, 54) |
| 美少女戦士セーラームーン R | Episode Director (eps 5, 14, 22) |
| 美少女戦士セーラームーン R | Director (eps 14-43) |
| 美少女戦士セーラームーン R | Storyboard (eps 5, 14, 15, 22) |
| ココロコネクト | Storyboard (ED3) |
| まじかる★タルるートくん (1991) | Assistant Director |
| ユリ熊嵐 | Series Composition |
| ユリ熊嵐 | Original Creator |
| ユリ熊嵐 | Director |
| 新メイプルタウン物語 パームタウン編 | Assistant Director (ep. 2, 5, 7, 11, 13, 15) |
| 俗・さよなら絶望先生 | Ending Card (ep 4) |
| ソウルイーター | Storyboard (ep 29) |
| メイプルタウン物語 | Assistant Episode Director (eps 28, 31, 33, 35, 37, 39, 41, 44, 46, 48, 51) |
| 悪魔くん | Assistant Director (eps 1, 5, 8, 11, 15, 18, 21, 25, 28, 31, 35, 38, 40, 42) |
| 少女革命ウテナ | Director |
| 少女革命ウテナ | Original Plan |
| 少女革命ウテナ | Storyboard (ep 1) |
| トップをねらえ2!DIEBUSTER | Storyboard (ep 2) |
| 美少女戦士セーラームーン Super S | Storyboard (eps 1, 10, 23, 32, 39) |
| 美少女戦士セーラームーン Super S | Episode Director (eps 1, 10, 23, 32, 29) |
| 美少女戦士セーラームーン Super S | Director |
| のだめカンタービレ | Episode Director |
| のだめカンタービレ | Storyboard |
| NORN9 ノルン+ノネット | Storyboard (OP1) |
| RE:cycle of the PENGUINDRUM [前編] 君の列車は生存戦略 | Script |
| RE:cycle of the PENGUINDRUM [前編] 君の列車は生存戦略 | Director |
| RE:cycle of the PENGUINDRUM [前編] 君の列車は生存戦略 | Sound Director |
| 宇宙皇子 天上篇 | Assistant Director (ep 3) |
マンガスタッフ
| S と M の世界 | 原作 |
| ノケモノと花嫁 | 原作 |
| ユリ熊嵐 | 原作 |
| レオとマブ ~ふたりはさらざんまい~ | 原作 |
| さらざんまい | 原作 |
| アンソロジー みんなでさらざんまい | 原作 |
| 輪るピングドラム | 原作 |
| S と M の世界 | Story |
| ユリ熊嵐 | Story |
| 輪るピングドラム | Story |
| レオとマブ ~ふたりはさらざんまい~ | Story |