磯光雄
Mitsuo Iso
Twitter
A pioneer in the field of realist animation, and then digital processing.
Debuted uncredited as an in-betweneer on Zeta Gundam. He made his initial splash in Gundam 0080: War in the Pocket, and continued to develop his approach to animation which he calls "full limited," which eliminated the pose-to-pose feel of conventional keyframe animation. His characteristic animation can be seen in Ghost in the Shell and End of Evangelion.
In Blood: The Last Vampire, Iso experimented with digital processing of his hand-drawn fire effects, elevating it to uncanny realism. Iso then got his first taste of directing in RahXephon episode 15, which he largely animated and also digitally processed himself.
His animation sensibilities, process innovations, experience in multiple levels of anime production, and interest in technology culminated in the 2007 sci-fi series, Dennou Coil, his veritable brainchild. During its production, there was a rumored falling-out with key staff. For the next several years, Iso would quietly animate under the pseudonym Mikio Odagawa.
Took part as a key animator on Quentin Tarantino's "Kill Bill: Vol. 1" in 2003.
In 2018, he announced his retirement as an animator to focus exclusively on directing.
A pioneer in the field of realist animation, and then digital processing.
Debuted uncredited as an in-betweneer on Zeta Gundam. He made his initial splash in Gundam 0080: War in the Pocket, and continued to develop his approach to animation which he calls "full limited," which eliminated the pose-to-pose feel of conventional keyframe animation. His characteristic animation can be seen in Ghost in the Shell and End of Evangelion.
In Blood: The Last Vampire, Iso experimented with digital processing of his hand-drawn fire effects, elevating it to uncanny realism. Iso then got his first taste of directing in RahXephon episode 15, which he largely animated and also digitally processed himself.
His animation sensibilities, process innovations, experience in multiple levels of anime production, and interest in technology culminated in the 2007 sci-fi series, Dennou Coil, his veritable brainchild. During its production, there was a rumored falling-out with key staff. For the next several years, Iso would quietly animate under the pseudonym Mikio Odagawa.
Took part as a key animator on Quentin Tarantino's "Kill Bill: Vol. 1" in 2003.
In 2018, he announced his retirement as an animator to focus exclusively on directing.
アニメスタッフ
| GHOST IN THE SHELL / 攻殻機動隊 | 武器デザイン |
| 機動戦士ガンダム 逆襲のシャア | 作画監督 |
| BLOOD THE LAST VAMPIRE | 原画 |
| 紅の豚 | 原画 |
| トランスフォーマー・超神マスターフォース | 原画 (eps 6, 12, 18, 24) |
| 海がきこえる | 原画 |
| 青の6号 | 原画 (1話) |
| 雲のように風のように | 原画 |
| ユンカース・カム・ヒア | 原画 |
| ピーターパンの冒険 | 原画 (20話) |
| 電脳コイル | 監督 |
| 電脳コイル | 原作 |
| ジャイアントロボ THE ANIMATION 地球が静止する日 | 原画 (5話) |
| 地球外少年少女 | Script (eps 1-6) |
| 地球外少年少女 | Storyboard (eps 1-6) |
| 地球外少年少女 | Episode Director (eps 1, 6) |
| 地球外少年少女 | Blender Animation (eps 1, 3-5) |
| 地球外少年少女 | Original Creator |
| 地球外少年少女 | Director |
| 地球外少年少女 | Design Works |
| 忍者戦士飛影 | 原画 (eps 35, 40) |
| 超魔神英雄伝ワタル | 原画 (27話) |
| マシンロボ クロノスの大逆襲 | 原画 (eps 18, 38) |
| EXPLORER-WOMAN RAY | 原画 (1話) |
| 走れメロス | 原画 |
| ゲゲゲの鬼太郎 | 原画 (eps 97, 99, 102, 104) |
| ゲゲゲの鬼太郎 | 動画 (88話) |
| ブレードランナー ブラックアウト 2022 | 原画 |
| 花とアリス 殺人事件 | 作画協力 |
| アトム ザ・ビギニング | 原画 (OP) |
| 電脳戦隊ヴギィ'ズ★エンジェル | Key Animation (ep 3) |
| 電脳戦隊ヴギィ'ズ★エンジェル | 原画 (3話) |
| 地球外少年少女 | 脚本 (eps 1-6) |
| 地球外少年少女 | 監督 |
| 地球外少年少女 | 演出 (eps 1, 6) |
| 地球外少年少女 | デザインワークス |
| 地球外少年少女 | 絵コンテ (eps 1-6) |
| 地球外少年少女 | 原作 |
| かっ飛ばせ! ドリーマーズ -カープ誕生物語- | Layout Assistance |
| かっ飛ばせ! ドリーマーズ -カープ誕生物語- | 原画 |
| 宇宙キャンパー・チッチ | Key Animation Guidance |
| HYPERSONIC music club | 原画 |
| おもひでぽろぽろ | Key Animation |
| 老人Z | メカニックデザイン |
| PERFECT BLUE | Key Animation |
| Robotics;Notes | Key Animation (ep 22) |
| ゲゲゲの鬼太郎 | In-Between Animation (ep 88) |
| ゲゲゲの鬼太郎 | Key Animation (eps 97, 99, 102, 104) |
| 青の6号 | Key Animation (ep 1) |
| ラーゼフォン 間奏曲 / 彼女と彼女自身と 「Thatness And Thereness」 | Digital Works |
| ジョジョの奇妙な冒険 | Key Animation (ep 6) |
| 海がきこえる | Key Animation |
| ラーゼフォン 多元変奏曲 | Digital Works |
| 夢枕 獏 とわいらいと劇場 | Key Animation (ep 3) |
| カウボーイビバップ天国の扉 | Digital Works |
| ジャイアントロボ THE ANIMATION 地球が静止する日 | Key Animation (ep 5) |
| ローリング☆ガールズ | Key Animation (ep 6) |
| ひるね姫 ~知らないワタシの物語~ | Key Animation |
| ブレードランナー ブラックアウト 2022 | Key Animation |
| 御先祖様万々歳! | Key Animation (eps 4, 6) |
| 魔法遣いに大切なこと ~夏のソラ~ | Key Animation (ep 2) |
| 走れメロス | Key Animation |
| デジモンアドベンチャー (Movie) | Key Animation |
| 超魔神英雄伝ワタル | Key Animation (ep 27) |
| 電脳コイル | Storyboard (OP, ED, eps 1, 12, 17, 19, 26) |
| 電脳コイル | Art Design (ep 2) |
| 電脳コイル | Key Animation (eps 1, 12, 26) |
| 電脳コイル | Director |
| 電脳コイル | Script (eps 1-26) |
| 電脳コイル | Original Creator |
| 電脳コイル | Digital Effects (eps 1-26) |
| アトム ザ・ビギニング | Key Animation (OP) |
| 機動戦士ガンダム 0080 ポケットの中の戦争 | Key Animation (eps 1, 4-6) |
| BLOOD THE LAST VAMPIRE | Visual Effects |
| BLOOD THE LAST VAMPIRE | Key Animation |
| るろうに剣心 -明治剣客浪漫譚- | Key Animation (OP1) |
| GOLDEN BOY さすらいのお勉強野郎 | Animation (OP) |
| GOLDEN BOY さすらいのお勉強野郎 | Key Animation (eps 4, 6) |
| 忍者戦士飛影 | Key Animation (eps 35, 40) |
| マシンロボ クロノスの大逆襲 | Key Animation (eps 18, 38) |
| トランスフォーマー・超神マスターフォース | Key Animation (eps 6, 12, 18, 24) |
| 雲のように風のように | Key Animation |
| ユンカース・カム・ヒア | Key Animation |
| メダロット | Key Animation (ep 26) |
| 帝都物語 | Key Animation (ep 2) |
| フリクリ | Key Animation (ep 6) |
| MEMORIES | Prop Design (ep 1) |
| GHOST IN THE SHELL / 攻殻機動隊 | Weapon Design |
| GHOST IN THE SHELL / 攻殻機動隊 | Key Animation |
| 紅の豚 | Key Animation |
| ファイナルファンタジー | Key Animation (ep 2) |
| 花とアリス 殺人事件 | Animation Assistance |
| ピーターパンの冒険 | Key Animation (ep 20) |
| 宇宙ショーへようこそ | Key Animation |
| おいら宇宙の探鉱夫 | Key Animation (ep 2) |
| THE 八犬伝 | Key Animation (ep 1) |
| 老人Z | Mechanical Design |
| EXPLORER-WOMAN RAY | Key Animation (ep 1) |
| 機動戦士ガンダム 逆襲のシャア | Animation Director |
| 機動戦士ガンダム 逆襲のシャア | Key Animation |
| かっ飛ばせ! ドリーマーズ -カープ誕生物語- | Key Animation |
ラノベスタッフ
| 地球外少年少女 | 原作 |