小島大和
Hirokazu Kojima
Twitter
Kojima got started in the industry one day while he was working as a freelancer in various industries and somehow ended up with a job in anime at the age of 23.
His first project was on the show "Shima Shima Tora no Shimajirou" under Studio Kikan, where he got started of by doing in-between animation. At the time he was very unexperienced with anime production and has said he likely would have been fired for his lack of knowledge and poor quality work, if not for the in-between animation checker teaching him everything from scratch.
Later down the line after establishing himself more in the anime industry, he would go on to work on "Gurren Lagann" as a challenge to himself, where he would put forth mecha and effects animation he had no idea how to prior.
Kojima states he feels a lot of inspiration from manga artists who are able to think about a story, break it up into panels, and express it in pictures. He has thought about drawing a manga himself, even if it's something simple.
Some of his favorite anime are "Inital D," "Natsume's Book of Friends," "Re:ZERO -Starting Life in Another World-," "Neon Genesis Evangelion," "A KITE," "JIN-ROH," "FLCL" and "Doukyuusei -Classmates-."
Some of his favorite manga are "HI Score Girl" and "A White Rose in Bloom."
Kojima got started in the industry one day while he was working as a freelancer in various industries and somehow ended up with a job in anime at the age of 23.
His first project was on the show "Shima Shima Tora no Shimajirou" under Studio Kikan, where he got started of by doing in-between animation. At the time he was very unexperienced with anime production and has said he likely would have been fired for his lack of knowledge and poor quality work, if not for the in-between animation checker teaching him everything from scratch.
Later down the line after establishing himself more in the anime industry, he would go on to work on "Gurren Lagann" as a challenge to himself, where he would put forth mecha and effects animation he had no idea how to prior.
Kojima states he feels a lot of inspiration from manga artists who are able to think about a story, break it up into panels, and express it in pictures. He has thought about drawing a manga himself, even if it's something simple.
Some of his favorite anime are "Inital D," "Natsume's Book of Friends," "Re:ZERO -Starting Life in Another World-," "Neon Genesis Evangelion," "A KITE," "JIN-ROH," "FLCL" and "Doukyuusei -Classmates-."
Some of his favorite manga are "HI Score Girl" and "A White Rose in Bloom."
アニメスタッフ
| フタコイ オルタナティブ | 作画監督 (10話) |
| フタコイ オルタナティブ | 演出 (10話) |
| ニニンがシノブ伝 | 原画 (eps 2A, 7B, 11A, 12) |
| 犬夜叉 紅蓮の蓬莱島 | 原画 |
| コヨーテ ラグタイムショー | 作画監督 (eps 2, 5, 11) |
| わがまま☆フェアリー ミルモでポン! | 原画 (eps 40, 45) |
| 同級生 | Animation Director |
| 同級生 | Key Animation |
| カイト リベレイター | 原画 |
| グレンラガン パラレルワークス | 監督 (3話) |
| 屍姫 玄 | キャラクターデザイン (Shikabane) |
| 屍姫 玄 | 作画監督 |
| デッドマン・ワンダーランド | 総作画監督 (12話) |
| デッドマン・ワンダーランド | 作画監督 (OP, ep 1) |
| 書家 | 作画監督 |
| べるぜバブ | 原画 (ED 3) |
| デッドマン・ワンダーランド 赤いナイフ使い | サブキャラクターデザイン |
| ChaO | Character Design |
| ChaO | Chief Animation Director |
| デッドマン・ワンダーランド 赤いナイフ使い | Sub Character Design |
| 映画 五等分の花嫁 | 総作画監督 |
| グリッドマン ユニバース | 作画監督 |
| べるぜバブ | Key Animation (ED 3) |
| ChaO | 総作画監督 |
| 書家 | キャラクターデザイン |
| わたしが恋人になれるわけないじゃん、ムリムリ! (※ムリじゃなかった!?) | キャラクターデザイン |
| ChaO | キャラクターデザイン |
| わたしが恋人になれるわけないじゃん、ムリムリ! (※ムリじゃなかった!?)〜ネクストシャイン！〜 | キャラクターデザイン |
| 犬夜叉 紅蓮の蓬莱島 | Key Animation |
| デッドマン・ワンダーランド | Animation Director (OP, ep 1) |
| デッドマン・ワンダーランド | Chief Animation Director (ep 12) |
| 海獣の子供 | Key Animation |
| お兄ちゃんはおしまい！ | Key Animation (ep 5) |
| 花右京メイド隊 La Verite | Key Animation (eps 1, 2, 5) |
| 新世界より | Animation Director (eps 6, 12) |
| グリッドマン ユニバース | Animation Director |
| グリッドマン ユニバース | Key Animation |
| がくえんゆーとぴあ まなびストレート！ | Key Animation (eps 1, 7, 11) |
| 天元突破グレンラガン 螺巌篇 | Key Animation |
| 屍姫 赫 | Animation Director (ep 3) |
| 屍姫 赫 | 2nd Key Animation (ep 3) |
| 屍姫 赫 | Shikabane Design |
| 屍姫 赫 | Key Animation (OP, ED, eps 7, 12) |
| 屍姫 玄 | Character Design (Shikabane) |
| 屍姫 玄 | Animation Director |
| カイト リベレイター | Key Animation |
| 電脳コイル | Key Animation (ep 26) |
| わたしが恋人になれるわけないじゃん、ムリムリ! (※ムリじゃなかった!?)〜ネクストシャイン！〜 | Character Design |
| フリップフラッパーズ | Key Animation (OP) |
| 四月は君の嘘 | Key Animation (OP2, ep 22) |
| 夫婦以上、恋人未満。 | Design (ED) |
| 夫婦以上、恋人未満。 | Animation (ED) |
| 映画 五等分の花嫁 | Chief Animation Director |
| 灰羽連盟 | Key Animation (ep 7) |
| 灰羽連盟 | In-Between Animation (ep 2) |
| わたしが恋人になれるわけないじゃん、ムリムリ! (※ムリじゃなかった!?) | Character Design |
| 機動戦士Gundam GQuuuuuuX | Assistant Chief Character Animation Director (ep 11) |
| 薬師寺涼子の怪奇事件簿 | Key Animation Assistance (ep 5) |
| トップをねらえ2！DIEBUSTER | Key Animation (eps 3, 5, 6) |
| コヨーテ ラグタイムショー | Animation Director (eps 2, 5, 11) |
| ニニンがシノブ伝 | Key Animation (eps 2A, 7B, 11A, 12) |
| ラザロ | Animation Director (ep 3) |
| ラザロ | Key Animation (ep 3) |
| ラザロ | Chief Animation Director (ep 5) |
| ラザロ | Sub Character Design (eps 3-5, 7-13) |
| ChaO | Key Animation |
| わがまま☆フェアリー ミルモでポン! | Key Animation (eps 40, 45) |
| トップをねらえ！＆トップをねらえ２！合体劇場版!! | Key Animation (Diebuster segment) |
| グレンラガン パラレルワークス | Director (ep 3) |
| エル・カザド | Key Animation (ED) |
| フタコイ オルタナティブ | Episode Director (ep 10) |
| フタコイ オルタナティブ | Key Animation (eps 1, 7, 10, 11, 13) |
| フタコイ オルタナティブ | In-Between Animation (ep 10) |
| フタコイ オルタナティブ | Animation Director (ep 10) |
| Re:キューティーハニー | Key Animation (eps 1, 3) |