大塚伸治
Shinji Ootsuka
Wiki (jp)
The epitome of the versatile animator capable of adapting to any anime to do outstanding work in that style. Ootsuka's animation is professional but always full of personality and a special verve.
He is one of the pillars of Studio Ghibli's animation. Not confined to the Ghibli style, he has always searched for new means of expression, having done everything from the photorealistic to the cartoonish. The wonderful feeling of weight in the movement of Toshio running around the train station in Only Yesterday, the delightful bodyguards in The Cat Returns, the little robot coming out of the water in the final episode of FLCL - all of these are quintessential Ootsuka.
None other than the animation director of Tokyo Godfathers has conceded that the film was originally conceived as a project to showcase Ootsuka's talents, in the same way Genma Taisen was a vehicle for Yoshinori Kanada. Most of Ootsuka's scenes in the film were drawn entirely by himself, with no in-betweens, and his cuts which were the first finished, had a determining influence on the direction of the animation by the rest of the animators.
(Source: Pelleas)
The epitome of the versatile animator capable of adapting to any anime to do outstanding work in that style. Ootsuka's animation is professional but always full of personality and a special verve.
He is one of the pillars of Studio Ghibli's animation. Not confined to the Ghibli style, he has always searched for new means of expression, having done everything from the photorealistic to the cartoonish. The wonderful feeling of weight in the movement of Toshio running around the train station in Only Yesterday, the delightful bodyguards in The Cat Returns, the little robot coming out of the water in the final episode of FLCL - all of these are quintessential Ootsuka.
None other than the animation director of Tokyo Godfathers has conceded that the film was originally conceived as a project to showcase Ootsuka's talents, in the same way Genma Taisen was a vehicle for Yoshinori Kanada. Most of Ootsuka's scenes in the film were drawn entirely by himself, with no in-betweens, and his cuts which were the first finished, had a determining influence on the direction of the animation by the rest of the animators.
(Source: Pelleas)
アニメスタッフ
| 君たちはどう生きるか | Key Animation |
| 魔女の宅急便 | 作画監督 |
| ハウルの動く城 | 原画 |
| となりのトトロ | 原画 |
| 平成狸合戦ぽんぽこ | 作画監督 |
| ボビーに首ったけ | Animation |
| 天使のたまご | 原画 |
| おれは鉄兵 | Storyboard |
| 雲のように風のように | 原画 |
| On Your Mark CHAGE & ASKA | 原画 |
| トワイライトQ | 作画監督 (2話) |
| スペース ファンタジア 2001夜物語 | 原画 |
| ゴルゴ13 | 原画 |
| SPACE ADVENTURE コブラ | アニメーション |
| 劇場版 アキハバラ電脳組 2011年の夏休み | 原画 |
| デビルマン 誕生編 | 原画 |
| ボビーに首ったけ | アニメーション |
| 鉄腕アトム | 原画 |
| ポータブル空港 | 原画 |
| 水グモもんもん | 原画 |
| 借りぐらしのアリエッティ | 原画 |
| スライム冒険記 ~海だ,イエー~ | 原画 |
| おれは鉄兵 | 絵コンテ |
| バケモノの子 | 原画 |
| 君たちはどう生きるか | 原画 |
| 風立ちぬ | 原画 |
| 屋根裏のラジャー | 原画 |
| 借りぐらしのアリエッティ | Key Animation |
| メアリと魔女の花 | 原画 |
| 平成狸合戦ぽんぽこ | キャラクターデザイン |
| デビルマン 誕生編 | Key Animation |
| On Your Mark CHAGE & ASKA | Key Animation |
| コクリコ坂から | Key Animation |
| カムイの剣 | Key Animation |
| となりのトトロ | Key Animation |
| 水グモもんもん | Key Animation |
| 鉄腕アトム | Key Animation |
| スペースコブラ | Animation Director (eps 1-31) |
| スペースコブラ | Character Design |
| SPACE ADVENTURE コブラ | Animation |
| 風立ちぬ | Key Animation |
| 雲のように風のように | Key Animation |
| cocoon ~ある夏の少女たちより~ | Key Animation |
| 若おかみは小学生!(劇場版) | Key Animation |
| ハウルの動く城 | Key Animation |
| ゴルゴ13 | Key Animation |
| メアリと魔女の花 | Key Animation |
| 天使のたまご | Key Animation |
| バケモノの子 | Key Animation |
| トワイライトQ | Animation Director (ep 2) |
| トワイライトQ | Key Animation (ep 2) |
| キャッツ♥アイ | Key Animation (eps 1, 4, 8, 10) |
| ポータブル空港 | Key Animation |